Between the Showers - Review
Sounding Strings
Sue Richards
The first thing that I noticed about this album was the packaging. The cardboard cover and artwork really drew me in, and once there, I was presented with a beautiful large single sheet with poster-like artwork on one side, and liner notes on the other. A lot of thought went into it, and it is nice to see record companies getting away from the jewel box that most CDs come in.
Gráinne has been well served by Shamrock records in this album. The quality of recording is superior, and the harp is both close-sounding and natural, yet with the touch of reverb that makes it moody.
There is both inspiration and hope in this album, Gráinne's second. Her playing is exquisite in its mood, lilt and use of the harp. The developments in the harp world which have resulted in harps playing dance music with sparkle and dynamism are shown here with great flair. The playing on the album is not only impeccable, but very musical. She shines brightest when playing jigs and reels, sprinkling triplets among the notes. 'The Bucks of Oranmore' is totally impressive. It sounds as though she was completely relaxed in the studio, and one can easily imagine her sitting and trading tunes with a friend. All but two tunes are solo; Gráinne's sister Róisín joins her on 'The Gold Ring', and guitarist/composer Peter Ratzenbeck joins her for the title track, a beautiful air.
Gráinne gives thanks to Janet Harbison in the acknowledgements, for teaching her the harp, and for guidance and advice. Janet's imprint is very evident here and she can be proud, but Gráinne also shows her own style and personality. This is definitely an album worth having.